TL;DR
Get cleaning gear delivered free with Prime
- Fast, free delivery on millions of items
- Prime Video, Amazon Music and more included
- Member-only deals all year
Veranda’s feature surveys 10 rooms where designers used wicker across varied settings, from a historic shipboard café and Roman apartments to a Maine home and Caribbean properties. The examples show how designers paired woven furniture with art, modern pieces, custom upholstery and local architecture; the feature is a retrospective, not a newly announced design trend.
Veranda has assembled 10 interiors in which designers used wicker as a central furnishing, spanning a historic café aboard the Titanic, European apartments, American homes and Caribbean properties. The retrospective makes a case for woven furniture beyond porches and holiday settings, showing how designers combined it with modern furniture, art, patterned fabrics and regional architecture.
The rooms featured range from the Café Parisien aboard RMS Titanic, furnished with wicker seating in a Parisian café style, to a winter garden in Rome designed by Renzo Mongiardino for fashion designer Irene Galitzine. The report also revisits Marella Agnelli’s 1977 Rome apartment, where Ward Bennett placed oversized wicker furniture among modern art and a neutral palette.
Other examples include Hubert de Givenchy’s poolhouse at Le Clos Fiorentina, a Maine living room by Tom Scheerer, and designer Amanda Lindroth’s loggia at Nassau’s Lyford Cay Club. The feature also covers Celerie Kemble’s Playa Grande Beach Club great room in the Dominican Republic and a sunroom in Alabama updated by Mark D. Sikes.
The final examples include a Mustique dining pavilion at Obsidian, refreshed by Veere Grenney with custom wicker furniture by Soane Britain, and the drawing room at Cobblers Cove, designed by Lulu Lytle. The supplied source excerpt cuts off during its description of that last room, so it does not provide further details about its furnishings.
How Designers Broadened Wicker’s Role
The rooms matter as examples of design practice, not evidence of a newly measured market shift. Across the feature, wicker appears in urban rooms and formal interiors as well as sunrooms, loggias and poolhouses. That range challenges the idea that woven furniture belongs only in seasonal or outdoor spaces.
The report’s examples also show how context changes the material’s effect. In Agnelli’s Rome apartment, wicker sits beside modern art and a sleek coffee table; at the Playa Grande Beach Club, peacock chairs are set against colorful tile and island folk art. These combinations offer readers a record of how designers have used texture and contrast to connect furniture with a room’s architecture and setting.
As an affiliate, we earn on qualifying purchases.
From Shipboard Café to Caribbean Pavilion
The feature moves through rooms from different periods and places rather than documenting a single design project. It begins with the Titanic’s Café Parisien, described as a replica of a Parisian-style café, and includes Agnelli’s apartment as it appeared in 1977. At Obsidian on Mustique, the original property was designed in the 1970s by Oliver Messel for society photographer Patrick Lichfield.
The report links some interiors to makers and designers with long-running work in woven furniture. Galitzine’s apartment included pieces by Bonacina, an Italian furniture firm that the source says has made woven pieces since the 19th century. At Obsidian, the current owners commissioned Soane Britain to make wicker dining furniture matching the original designs while refreshing the property.
As an affiliate, we earn on qualifying purchases.
What the Retrospective Does Not Establish
The source presents selected interiors and editorial descriptions, but does not provide a publication date, a methodology for choosing the 10 rooms, or evidence that the examples caused a measurable change in designers’ use of wicker. Its framing of the material as having reached “cult status” is the feature’s characterization, not a quantified industry finding.
The supplied text also ends partway through the Cobblers Cove entry. It does not establish what further details appeared in the original report, and it offers no interviews or direct statements from the designers about their decisions. Claims about influence should therefore be read as editorial interpretation of the pictured rooms.
wicker dining chairs for outdoor patio
As an affiliate, we earn on qualifying purchases.
As an affiliate, we earn on qualifying purchases.
No New Project or Trend Data Announced
The source is a retrospective, not an announcement of a new collection, renovation or industry study. It gives no future publication date or next project milestone. Readers seeking the complete description of the Cobblers Cove drawing room or the original photo credits will need to consult Veranda’s full report.
For now, the documented development is the publication of a curated set of design examples. Any broader claim that wicker is gaining popularity would require fresh evidence, such as sales figures, designer surveys or new project announcements not included in this source.
As an affiliate, we earn on qualifying purchases.
Key Questions
What is the news in this report?
Veranda published a retrospective presenting 10 interiors where designers used wicker in varied settings. It is a design feature, not a report of a new product launch or industry study.
Which designers and rooms are included?
The examples include rooms associated with Renzo Mongiardino, Ward Bennett, Tom Scheerer, Amanda Lindroth, Celerie Kemble, Mark D. Sikes, Veere Grenney and Lulu Lytle, alongside the Titanic’s Café Parisien and other historic or hospitality interiors.
Does the feature prove wicker is a current design trend?
No. It offers selected examples and an editorial argument for wicker’s versatility, but provides no sales data, survey or trend measurement to establish how widely designers are using it now.
What is not clear from the available source?
The source excerpt does not state the feature’s publication date or selection criteria, and it cuts off during the Cobblers Cove description. It also does not include direct interviews explaining the designers’ choices.
Source: rss
Fall Picks
fall essentials
As an affiliate, we earn on qualifying purchases.
